In Greek mythology, Pandora (Greek: ΠανδÏÏα, derived from Ïᾶν, pÄn, i.e. “all” and δῶÏον, dōron, i.e. “gift”, thus “the all-endowed”, “all-gifted” or “all-giving”)was the first human woman created by Hephaestus on the instructions of Zeus. As Hesiod related it, each god co-operated by giving her unique gifts. Her other nameâinscribed against her figure on a white-ground kylix in the British Museumâis Anesidora (Ancient Greek: á¼Î½Î·ÏιδÏÏα), “she who sends up gifts”b(up implying “from below” within the earth).
The Pandora myth is a kind of theodicy, addressing the question of why there is evil in the world. According to this, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as “Pandora’s box”, releasing all the evils of humanity. Hesiod’s interpretation of Pandora’s story went on to influence both Jewish and Christian theology and so perpetuated her bad reputation into the Renaissance. Later poets, dramatists, painters and sculptors made her their subject and over the course of five centuries contributed new insights into her motives and significance.